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Jane Bites Back: Review

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Jane Bites Back
by Michael Thomas Ford
Ballantine Books

Whew! Am I relieved! As I read the last page of Jane Bites Back, my heart rapidly sank—there were still a few ends left untied, one of them pretty significant. Then I turned to the back and discovered a sequel’s in the works. My spirits were immediately revived: I cannot wait to read Jane Goes Batty, “coming soon” from Ballantine Books. I wonder what “soon” means—the publishing biz can be maddeningly slow. Guess I’ll just have to ask the author. (Full disclosure: I know Michael Ford slightly.)

Following Ford and his twisted mind on this roller-coaster ride made for a rollicking good read—or should I say the rollicking read made for a roller-coaster ride? Either way, I had a blast, and it made me wonder why I’ve shied away from the vampire genre. Actually, JBB doesn’t fall into any genre, fang-related or otherwise. It’s a novel/romance/satire and even mystery all rolled into one. Ford pokes his knife-edged pen at all things romantic, generic, novelistic, and vampiristic, and does a side-splitting number on a pair of talk show hosts named Comfort and Joy. I especially loved his delicious satire of the publishing game.

Jane, by the way, is Ms. Austen, undead in a remote little town in upstate NY, where she’s carved out a fairly normal life, except for her proclivity to inflict in-depth hickeys on the townsfolk every now and then.  Prim and proper Jane hates having to do it, but she’s hunger-driven, having been turned 200-something years ago by none other than Lord Byron.  As Jane Fairfax, she runs her own bookstore and hangs out with the locals, writing a novel in her spare time. When it’s published, her little world bursts wide open, bringing more excitement and danger than the poor girl’s had in, oh, 150 years or so. Can she handle it?

How could she not? when the guy pulling her strings has a mind more imaginative than that of any writer I’ve encountered in a pretty long time (I’m thinking here of Katherine Dunn, author of the outrageous Geek Love). Ford is wickedly funny: I cackled my way through half the book, especially the vampire stuff. Still, I’m a writer reading a writer writing about writing, so the parts I related to best were of Jane as the Austenmeister. For instance, “She herself had become somewhat resentful of newly published books—much as childless women sometimes regarded new mothers and their infants with a mixture of jealousy and despair…” Talk about schadenfreude!

Ironically, a book as much fun as JBB is a good cure for schadenfreude. How can I possibly resent my friend’s success when it’s bringing me pleasure? I don’t—and I eagerly await Jane Goes Batty. Hm…I just remembered…Batty. Bats. Vampires. Ford hints towards the end that Jane needs to spend more time with “her own kind.” Methinks we’ll be meeting some of those creatures in the sequel.

Second Annual Culture List

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Since I did a list last year, I might as well burden myself by turning it into a tradition. Unlike “Ten Bests,” mine’s just a compilation of most of what I’ve read, watched and listened to during the year, with best, worst and everything in between thrown about haphazardly. I must confess, I barely remember some of these books and movies. True, my memory isn’t what it used to be–but I think that if something is that un-memorable, it must’ve sucked—or at least I didn’t much like it.

Naturally, not everything here came out in ‘09, especially the movies.


Books (Fiction and Nonfiction)

True Compass. I took in Senator Ted Kennedy’s autobiography through my ears, and had to return the CD set to the library two discs short of finishing; I’ll probably take it out again someday. At times I was inspired; at other times beat myself up for doing so little in my life compared to Teddy’s huge accomplishments. My personal hangups aside, TC is an absorbing account of one of the most dramatic and fascinating lives in American politics. The assassinations, the big sprawling family he carried on his brotherless shoulders, the commitment, the scandals, joys, and sorrows beyond sorrow—all were so much larger than life. Surprisingly, the personal was more interesting then the political in this account, though some details were  glossed over—like the invisible life of sister Rosemary. On the other hand, Kennedy’s treatment of the Mary Jo Kopechne incident was surprisingly thorough, and I believe that it went down the way he says it did. He didn’t justify his behavior, but expressed regret, and apparently spent his life atoning for the incident. Too many people discount the great things this great man did because of that mistake; I wonder if they would’ve done any better under the same circumstances. I wish Teddy had lived to participate in the Great Health Insurance Sellout: things might’ve gone differently with the Liberal Lion leading the charge. ****

Indignation: The older Philip Roth gets, the faster he seems to write. In Indignation he offers up sociological observation as only he can do it, this time on the Midwestern college as experienced by a working-class urban Jew. The story goes along at a good clip, but about 50 pages before the end Roth drops a bomb: the narrator, it turns out, has been speaking from the grave all along. Not too long after this revelation he leap-frogs from college into the Korean War and his death, and it feels like Roth just got bored with the story. So did I.**

The Amateur Marriage by Anne Tyler. Another book I experienced through my ears, except I remember almost nothing about this one. It was, I think, about an ordinary marriage. I used to adore Anne Tyler; anyone interested in her work should read one of her earlier novels, e.g., Dinner At The Homesick Restaurant, instead of this latest.*

Bluebird: Women and the New Psychology of Happiness by Ariel Gore. Reviewed here. *****


The Position by Meg Wolitzer. Reviewed here.**


Will You Take Me As I Am: Joni Mitchell’s Blue Period by Michelle Mercer. Reviewed here.*****


My Baby Rides the Short Bus.  Edited by Yantra Bertelli, Jennifer Silverman, and Sarah Talbot. Full disclosure: I have two essays in this collection. See description here.

The Yankee Years by Joe Torre with Tom Verducci.You might have to be a Yankee fan to appreciate the gossip and glory in this book. I am and I did. ****

The Last Days of Dogtown by Anita Diamant. Another novel experienced through my ears, this was actually the best book I read in 2009. A rich historical tale, it weaves together the desperate lives of an eclectic group of characters living in on-its-last-legs Dogtown; it’s based on a real place that existed in Massachussetts in the 1800s. This is a town where people scratch out livings in sometimes devious ways, and do ugly things to one another to make it through their hardscrabble lives. If you liked Diamant’s The Red Tent, you’ll love this one.*****


The House at Sugar Beach by Helene Cooper. I’m still reading this story of upper-class Liberians forced by revolution to leave their country. Liberia has an unusual history: it was partly populated by newly freed African-American slaves after the Civil War, with blessings and assistance from the U.S. government. I’d read an excerpt in the New Yorker a few years back, and found it mesmerizing. Unfortunately, that turned out to be the best, possibly the only good part of the book. The narrator is a pre-pubescent girl, and the voice is immature, a common pitfall that occurs when using younger people as narrators. I may not even finish reading this—life’s too short to read bad books. **

Jane Bites Back by Michael Thomas Ford. Full disclosure: Mike’s a friend, if you consider someone you met just once a friend, which I do. We’ve been communicating for maybe a dozen years, first via email and now on Facebook. I adore his wicked humor and full-throated imagination, both on ample display in this just published novel. He gives us Jane Austen as a vampire, living 200-something years and forced to witness post-modern Austen mania. I’ve read no vampire novels with the exception of Dracula as a kid, so I couldn’t swear that everything in here runs true to vampire lore—but it sounds authentic. Similarly, I haven’t read any of the Jane Austen wanna-be’s, so I couldn’t swear Ford’s satirical jabs are on target—but I’d bet my Austen collection   they are. Going along with Mike’s sharp and twisted mind on this roller-coaster read makes for a rollicking good ride. Or the ride makes a rollicking read? Either way, it’s a pretty wonderful book, and I’m not just saying that because Mike paid me to. (Joke, joke!) *****



Up in the Air. Loved the story, loved George Clooney (forever), loved the young trainee, awed by the girlfriend’s balls. *****

Avatar When I was younger I had zero interest in ‘special effects,’ and would never forgive a weak plot in favor of fancy tricks. I loathed Star Wars. I suspect I still would today…yet I was blown away by Avatar…and that’s without even seeing it in 3D!  If the story is weak and clichéd, as the critics say—who cares? Avatar is a feast for the senses and transcendent for the soul.  In fact, the story, though familiar, isn’t that bad, it’s even sort of sweet. Sigourney Weaver, still a hot babe after all these years, gives a standout performance as a chain-smoking scientist. I’m soooo glad I didn’t reflexively dismiss Avatar. I can’t wait to see it again, and in 3D this time.*****

Me and Orson Welles. A small, arty film that might get lost in the holiday shuffle. Absolutely delightful. ****

Grey Gardens: Based on the life story of the mother / daughter duo of Edith Bouvier Beale aka “Big and Little Edie,” the eccentric aunt and cousin of Jackie O. They were once Park Avenue débutantes but left New York society to live in seclusion at their Long Island summer home, and as they became poorer and more isolated, they lost their their grip on reality. Drew Barrymore, who’s fast becoming my favorite actress, gives an outstanding performance as Edie the Younger. Jessica Lange’s not half bad either. Rent it.****

Sugar: The true story of a Latino baseball player. See my review here.****

Burn Before Reading: I remember absolutely nothing about this movie. How is that possible?*

Pirate Radio: See my review here. ****

Cadillac Records: Another rock n roll movie, a genre I obviously adore. ****

Sunshine Cleaning. In order to raise the tuition to send her son to private school, a single mother starts a biohazard removal/crime scene clean-up service with her flaky sister. Mildly amusing. ***

Older (rentals):

Across the Universe. Beatles, Beatles, Beatles. The love story of Lucy and Jude is intertwined with the social movements and young people’s lives of the 1960s. Beatles’ songs are artfully woven into the plot; my favorite moment is when a strange girl climbs into the apartment via the bathroom window, and someone asks how she got in. With this music, what could be bad?*****

Music and Lyrics. Again, Drew Barrymore! And here she plays opposite the adorable Hugh Grant. He’s a recycled ’60s singer from a Loggins & Messina-type act, she’s a plant caretaker who comes over with her watering can and stays to help him write songs. The music is surprisingly good, the romance delicious, the plot quite clever. I saw this twice in one year. *****

Memento: This crazy-making movie is an enigma wrapped in a mystery etcetera. I’ve taken it on as a Zen koan to work at for the rest of my life. Google it and you’ll find a plethora of discussions and analysis; here’s one I particularly like (it’s #10 on his list).  It’s probably considered a cult film, so I suppose that makes me a cultist.****

The Ballad of Narayama (1983). I saw this movie something like two dozen years ago, and some of the images in it have haunted me all these years. I wasn’t disappointed by my second viewing of this story about a small Japanese village where, when a person turns 70, they must go to the mountain top to die. If anyone should refuse, he/she would disgrace their family. Orin is 69, and this winter is her time. Totally fascinating, visually transcendent.*****

Update January 1st, 2010: I saw my favorite movie of 2009 yesterday. It’s Complicated is (a) hilarious, (b) a great story, (c) has fantastic actors acting fantastically, (d) that rarest of Hollywood products, a sexy story about old(er) people, (e) all of the above. Alec Baldwin is a revelation. Meryl Streep is, as always, flawless. I laughed more than I remember doing at any movie since The Wedding Crashers. This points out the utter folly of “Best” lists–comparing It’s Complicated to Avatar is like comparing strawberries to bananas. For me, though, a great story and acting will always matter more than the most special of special effects.


The Playlist

All the music listed here is five stars or I wouldn’t be listening to it. This year I realized that music might be the only art form that hasn’t diminished in bringing me pleasure. Movies are getting predictable, it’s harder and harder to concentrate on books—but my joy in music has actually intensified, and the ever-changing delivery platforms add novelty. I love playing with Genius on iTunes, or making themed lists, sending CDs to friends–I made one on the occasion of Obama’s election, for instance. I am so in love with my iPod that, to paraphrase Charlton Heston, if anyone ever tried to take it away, they’d have to rip it out of my cold dead hands!






Peter Paul & Mary on PBS: Like many people my age, I love the old PPM songs—Puff, Flowers, Hammer, etcetera. Only serious folkies, though, stuck with them through the years. Then, in the wake of Mary Travers’ death this year, PBS did a special on them, and suddenly I heard all these songs I’d never heard before. “Light One Candle” brings on the goosebumps. PPM rules!

Joan Baez and the history of her political journey from 17-year-old idealist to 60-something respected activist also got a fresh look from PBS. With her long hair flowing over her guitar strings, she looked like a beautiful waif–but she’s even more beautiful today. Her voice too: unlike some women singers whose voices lose vocal range, Joan’s has remained as clear and beautiful as ever.

Old Man Mellencamp: John Mellencamp’s latest album is a serious elegy about aging and what’s a-comin’ down the pike, namely, the Grim Reaper. Songs like “Ain’t Gonna Need This Body” are validating to those of us who feel alone with such thoughts–but they’re not for the faint of heart.

Leonard Cohen revisited by a new generation: I rented I’m Your Man, a film tribute, and fell in love with some of the performers, like Rufus Wainwright and Antony of Antony and the Johnsons. Distinctive voices, great music; of course, when it comes to Leonard Cohen, nobody does it better than LC himself.

Gil Scott-Heron: The first hip hop artist (c. 1978) and still relevant.



NEW to me

(Music I got turned on to through radio or podcast or the ether)

Cold Play

Alex Cuba


Negative is the New Positive Part II

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Recent letter to Mick LaSalle, Movie Critic for the SF Chronicle:


Dear Mick: Pirate Radio is not a preview of what old-age nostalgia is going to look like for Boomers. It is old-age nostalgia for Boomers in their 60s. I make this point as a comforting reminder that, as younger Boomers, we’re not quite there yet.—Jim Ronningen, Albany


Dear Jim: Point taken. There’s a big difference between older Boomers (sad, drug-drenched hippies, mumbling about Woodstock) and younger Boomers (radiant, high-functioning epicures, who still own copies of Frampton Comes Alive.). Young folks can’t tell the difference, but we can spot each other with one glance.

Lest it not be obvious, I am of the older Boomer subset, and that exchange of letters explains a lot.

As mentioned in Part I of this thesis, a recent Australian study of personality types gives grumps like me the edge over shiny happy people: “While cheerfulness fosters creativity, gloominess breeds attentiveness and careful thinking, Professor Joe Forgas told Australian Science Magazine.” A mildly negative mood, the study found, promotes an improved communication style, particularly in “stating their case through written arguments.” Hah! That just happens to be my forte! Forgas has also done studies on the effects of weather, and says that dreary days sharpen memory, while bright sunny spells make people forgetful. I’m storing that tidbit away for my next thesis, in which I compare New Yorkers to Californians.

I also mentioned in Part I a new book by Ariel Gore, Bluebird: Women and the New Psychology of Happiness. The book makes no case for either extreme of negative or positive; rather, it’s a luxurious meandering exploration of the subject as stated in the title.  (Full disclosure: I was one of the women who responded to Gore’s survey, and at least one of my answers pops up; an article I wrote for hipmama is also quoted.)

I’ve been following Gore’s career since she first launched hipmama, a zine for mothers living outside the paradigm of suburbia / 2.4 children / husband /  mini-van. The zine has since been passed to a new generation, even as Gore gave birth to her second child as her first one entered college. None of this has stopped her from writing interesting, unusual books, of which Bluebird is the latest. Always on the lookout for what isn’t being told by mainstream media, she noticed that in the burgeoning field of happiness  psychology, most of those in Happy Land were male, and, even more alarming, the women who opted for traditional stay-at-home roles were the happy ones.

She sent a questionnaire out to 100 women, asked a smaller group to keep diaries, attended a meeting of “happiness experts,” and in general spent her time studying, ruminating, meditating and cogitating on the subject. Like most books of this type, Bluebird has something for everyone. Here’s one of my favorite quotes:

“My mother,” Gore quips, “considered it a sin of dishonesty to let any negative emotion go unexpressed.”

Naturally, when addressing women’s happiness, the topic of motherhood is central, and this is Gore’s specialty. She has a keen understanding of the difference between motherhood as a fact of our lives, and motherhood as a social and political institution, and she never confuses the oppression of one for the other.

Gore even comes up with a few answers to the questions raised by her mental meanderings. But the most significant aspect of this gem of a book, to my mind, is the fact that negativity, or rather reality in its darker manifestations, is not ignored, spurned or judged. That’s my beef with all the happiness cults—the demand for eternal positive thinking and behavior, and the denial of anything remotely unpleasant.

Because journalists are reviewing Barbara Ehrenreich‘s book Blind-Sided, mentioned in Part I of this rant, there’s a lot of chatter in the media these days about the misguidedness of “positive thinking.” One I particularly like is Why Fake Optimism Is the Worst Way to Deal With Life’s Problems by Liz Langley, posted on AlterNet. In it, Langley interviews four authors for their advice on how to respond to the tragedies and crises in friends’ lives. I can only hope this will mean no more dismissing of real problems with some version of “Buck up!”

Lately I’m really zeroing in on California culture, and why it doesn’t suit me. I’ve lived here for over 22 years, and I’m still a stranger in a strange land. I haven’t lost my New York accent—if anything, it’s gotten more pronounced. I’ve become progressively more negative, more cynical, and more of a hermit. For a long time I believed my isolationist tendencies were generic, that I’d be this way even if I were on the East Coast, but I’m starting to see that the reason I don’t like to socialize anymore is that I simply can’t relate to Californians: I feel inadequate and uncomfortable around them.

Clearly I’m being tested by my circumstances. For complicated reasons, I absolutely cannot move back to New York, so I have to face up to the situation and make peace with it.  I seem to be making some progress. A few weeks ago I was reading a memoir in which the author said her life works best when she’s open to new experience, that she creates the conditions that will allow her life to flow in a positive direction. For some reason this resonated for me. I recalled with sudden insight all the times I’ve sabotaged myself by shutting out the new and scary. I glimpsed the deeper meaning behind all the positive chatter. It was a humbling moment. Ironically, it came at a time when everyone else seems to be tuning in to the darker side—or what I call reality.

Good grief! I can just see it now: as everyone decides to get real, I’ll be in positive thinking mode. I’ll run around smiling like an idiot, drawing happy faces and chirping Have a nice day, but I’ll get only scowls in return. People will lecture me about the falsity of my new persona. They’ll explain negativity to me as if I’d never heard the word or known a thing about it…and I’ll just smile and repeat, “Have a nice day.”

Pirate Radio

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Pirate Radio is a perfect example of why I don’t take critics’ comments at face value. The three reviews I read this morning were lukewarm with a small degree of trashing, but when I looked at the trailer, I knew it would be fun. Sure, the movie has its flaws–male humor; some sloppiness with chronological accuracy–but like most movies that celebrate rock ‘n’ roll, the music was great, and the whole thing gave me the warm fuzzies. Philip Seymour Hoffman is fantastic, and so is the ensemble acting.

I know I risk branding myself as superficial, but for the past several years I’ve developed a preference for comedies over drama. I’ve sworn off slavery and holocaust movies completely. I almost went to see A Serious Man today, and I’m so glad I did not. Who needs angst and depression when real life has so much of it already?

But Pirate Radio literally rocks. So what if they used the phrase “out of the box” and called young girls “women” — linguistic quirks unheard of in 1966. They even played a few songs that weren’t out until ’69. These errors are more than made up for by the hippie, peace-and-love atmosphere and a devotion to music that borders on religious worship. Actually, the biggest error is one of omission: there’s no pot smoking or other drug use in the film. I imagine this was about the rating;  it’s a serious lack given the movie’s time and context.

Beautiful visuals of records floating around, sometimes literally; not CDs of course, but gorgeous LP album covers in all their antique glory. Pirate Radio: 4 stars.

Rock n’ Roll Lives!

Will You Take Me As I Am: Book Review

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Will You Take Me As I Am: Joni Mitchell’s Blue Period, by Michelle Mercer

Will You Take Me As I Am

After enjoying Girls Like Us so much, I began looking around for other books about the most interesting of its three subjects, Joni Mitchell. Lucky for me, bios of Joni seem to be on the way to becoming a cottage industry. Will You Take Me As I Am is described by its author, Michelle Mercer, as an investigation into what she calls Mitchell’s “Blue Period,” encompassing the albums Blue, For the Roses, Court and Spark, and Hejira.


The release of each one of these albums, with the exception of Hejira, coincided with a different man in my life, and each reflected perfectly the flavor of its corresponding relationship. That is, of course, par for the course among women of a certain age during a certain era in history: Mitchell’s expression of the universal in the personal is the primary reason she caught fire among us. As Mercer notes, “She doesn’t strive to tell the truth about herself. She strives to find and express human truths, and in the process, she happens to reveal quite a bit about herself.”


In my opinion Hejira doesn’t belong in this grouping, and not because I didn’t have a man to go with it. Mercer almost completely ignores The Hissing of Summer Lawns, which came after Court and Spark and, to my mind, belongs here more than the later Hejira, with its disjointed melodies; more important, the lyrics seem almost intentionally obscure and distancing compared to the preceding albums. At the time I worried that Mitchell was going in a direction I’d be unable to follow, but four albums later she seduced me anew with Wild Things Run Fast. I’ve come to view Hejira as a bridge to her expansion into jazz and other musical genres, a herky-jerky first attempt that paved the way for the vastly underrated Mingus and WTRF’s seamless fusion of jazz and rock.

Joni sexyBut although the author’s premise doesn’t hang together for me all that well, it hardly matters: the book is a loving assemblage of revelations about the life and work of one of our greatest living singer songwriters. It was delightful to pick up and impossible to put down. Unlike other books written about her, Joni participated in this one’s creation. It’s been said that she wasn’t happy about Girls Like Us, at least in principle; it isn’t hard to imagine her being miffed by the comparison with Carly Simon and Carole King. Speaking musically, who can blame her? I adore Carly Simon’s bouncy songs and heartfelt ballads, but I don’t put her in the same category. As Mercer says, Simon’s songs contain “little of the investigation that turns over relationship woes for insights into human behavior.”

Ostensibly glad for a book of her own, Joni gave generously to Mercer withxbsn interviews, opinions, pithy quotes, and even a tagged-on list of her favorite things. These include, as everyone who follows her knows, smoking cigarettes. As a smoker myself, I so appreciate Joni’s refusal to surrender her rights, her pride, and her self-esteem to those who malign her for this.  Uncowed by the PC anti-smoking fascism of our times, she maintains without apology that it’s “a focusing drug. Everybody should just be forced to smoke.” Hell, if all it took was tobacco to get everyone as focused as Joni Mitchell, I’d second that emotion.

Joni on tourThis book confirmed something else I’ve long suspected about Mitchell: she’s a man’s woman, the kind of gal who prefers hanging out with men. She’s been a tomboy since childhood and plays pool like a hustler. The only female musician she mentions with any degree of respect is the late Laura Nyro.  As for male influences, she clearly points to Dylan and Neil Young.  She still seems to respect and like Graham Nash. About Leonard Cohen she’s a bit more equivocal: though he did influence her music and her thinking when she was younger, she’s come to regard him as somewhat superficial. He cannot, she says, being only partly facetious, write a song without putting the phrase naked body into it. But she shows no humor or equivocation when it comes to Jackson Browne—she loathes him. With all these men except for Dylan (about whom I’ve no idea), Joni had love affairs of some sort, but only Browne seems to have left her foaming at the mouth. As Mercer says, “Don’t get her started on Jackson Browne, the Catholic Church, or modern medicine.”

I know there are lots of women—and men too—who, like me, love, worship and adore Joni Mitchell, both as a musician and a woman. To all I recommend this book, and give it five fat juicy golden stars. She is stardust, she is golden…

A Trio of Movies

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Netflix has me covered. I’m catching up with all the films I’ve missed the past decade or so. It’s a great service, don’t you think?

So this weekend I watched a trio of movies that have nothing in common with one another: Music and Lyrics, Holiday, and The Matrix.

Hugh and DrewMusic and Lyrics: I adore both Hugh Grant and Drew Barrymore, and they’re perfect co-stars in terms of adorability. Grant plays a has-been rock star looking to make a splash by writing a tune for Cora somebody-or-other, the latest Madonna/Britney sensation, but he can’t write lyrics without his old partner. In walks earthy Barrymore to murmur lyrics as she waters the plants, and the story takes off from there. The pop tunes that are supposed to be obnoxious bubble gum are actually eminently hummable: POP Goes My Heart is hilarious and sweet in a McCartney-esque way. The whole thing from start to finish is nothing if not charming.*****

HolidayHoliday does have something in common with Music and Lyrics, in that it’s a sweet romantic comedy. But it’s somewhat more complicated–in fact, Holiday is two movies in one. Two women, one played by Cameron Diaz who lives in LA, the other played by Kate Winslet, in England, are undergoing life crises, and decide to switch houses for a couple of weeks. Each meets people from the other one’s life who help her transform her own. Another charming film. *****

MatrixThe Matrix is anything but charming. Not my usual cup of tea, but I recently heard about the symbolism and supposed profundity in this movie, and decided I had to see it. Laurence Fishburne as Morpheus/God is worth the price of admission, if I could just stop thinking of him as Ike Turner. Unfortunately, none of the ideas here are particularly new. That would have been okay with me, if it weren’t for the greater problem: story is sacrificed for special effects. I should have known.**

My Baby Rides the Short Bus

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Hot off the Press!
The anthology My Baby Rides the Short Bus is ready for pre-orders on Amazon.

Short Bus cover

This is something new in the world of disability writing–while I confess I haven’t seen it yet, their call for materials asked for stories from parents who feel like they don’t always fit in to disability organizations or support groups. You know what I mean–people who do sex writing, for instance, or live in communes, or in polyamorous arrangments–anything outside the mainstream. I’ll never forget the first time I went to a conference, surrounded by a very homogenous group of 300 middle-class people, terrified my grown kids might innocently blow my cover; I told people I wrote newsletters.

I’ve got two pieces in the book–one anonymous (so as not to publicly criticize the hard-working group described therein) and another that’s a version of My Friend Christine, on this blog. You can visit the book on facebook.


And if you’re anywhere near the Big Apple on Mothers Day, there’ll be a reading:

Sunday, May 10, 2009
6:00pm – 8:00pm
Bluestockings bookstore
172 Allen Street between Stanton and Rivington
New York, NY

Get down with these irreverent and thought-provoking mamas as they read and perform in celebration of motherhood:

Christen Clifford: a writer and performer who’s written for Nerve, Salon and Huffington Post. Her solo show BabyLove ran for three months off Broadway and was a critic’s pick in Time Out and New York magazine. She is married to writer McKenzie Wark and is the proud mother of Felix and Vera.

Ayun Halliday: author of four self-mocking memoirs, and a children’s book. She’s Chief Primatologist and sole staff member of the quarterly zine, The East Village Inky, as well as BUST magazine’s Mother Superior columnist. Ayun lives in Brooklyn with her husband, playwright Greg Kotis, and their increasingly well-documented children.okeefe-89

Tomasia Kastner: writer, performer and lyricist, she opened for Gil Scott-Heron, performed with Me’Shell N’DegeOcello and with Mos Def. Tomasia recently released an album entitled Death of the Fresh with DJ Stef-Eye.

Victoria Law: writer, mother, and photographer who works with incarcerated women nationwide. Her book Resistance Behind Bars: The Struggles of Incarcerated Women is based on stories of women in prison.

Jennifer Silverman: recovering journalist, mama of two rambunctious sons, agitator and co-editor of My Baby Rides the Short Bus. Her writing about mothering her son with autism has appeared in Hip Mama and off our backs, and the ‘zine version of Short Bus.


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